The repetitive nature of my work allows for my mind to divide the physical tactile experience of the creative process into a contemplative state. Repetition causes the body to move automatically less aware of ones surroundings; the contact of my hand and the form systematically merge to become one and the same. This is the point where the sculpture for me becomes conceptually sound. It is this harmonious balance between the material and the physical process that I wish to reveal to the viewer.